** Unlike similar product shipped from Asia in eBay, we ship this product from the United States for fast delivery.
This light-weight Pro 160-LED Video Light can be used with all consumer camcorders with standard accessory shoe mount. It delivers high luminosity output using energy-friendly LED technology.
Note
Both Pro 126-LED and Pro 160-LED lights have the SAME PHYSICAL DIMENSION AND WEIGHT (1 oz different). Only the Pro 160-LED houses more LED bulbs thus delivers higher output.
It is not recommend to use this light with the NP-F970 battery. Because of the weight of the battery, it will cause the arm of the light sway front and back.
An On/Off switch with a full dimmer is built to provide maximum lighting flexibility. The light is default at 5400K day light color balance. Includes in the box is one white diffuser for softening the light spread, and one warming filter to reduce the color temperature for indoor use.
A battery level test button is for checking the remaining battery power level availability.
Battery and charger are not included in the package.
Specification
Power: 7.6 watts Color Temperature: 5400K / 3200K (with the included warming filter) Luminous flux: 900lux at 1m Size: 141 x 62 x 150mm Weight: 9.3oz
bonjour quelles sont les dimensions ? a+cordialement
Hi, the dimension of the light is listed in the description above.
How much brighter is this the Pro 160 LED? Can you really see the difference between the Pro 126 & Pro 160?
Also where can we buy more diffusers?
There is a slight difference I can tell in brightness between the 126 and 160 model.
Currently we do not have any spare filters for sell.
Would like to see some footage in low lighting please.
Stay tuned! Some sample videos will be posted soon.
How do the 160 led lights compare with the smaller Light Panel Microlights? That is what we are currently using, but they have an extremely short throw distance.
Litepanels Micro is about 320lux at 1 meter distance. Pro 126-LED is 650lux and 160LED is 900lux which is way brighter than the LP Micro.
How can the light be run by non AA batteries. Do you have to order a version with the selected battery mount aka. Sony 770.
Also can the light be run with both AA and proprietary (Sony 770) batteries?
I know this won't have a ton of throw but I'm in search of some small lights for my DSLRs for fill lighting, and the Comer 1800's (which are great BTW) are way too big.
Michael, the light has a smart design at the back that will take 5 different types of batteries including AA batteries and Sony NP-F770 batteries. So you do not have to get one just for a particular type of battery.
I would not recommend this light for professional work. They are consumer level items. But if you are looking for something inexpensive with lots of light output, this will be a good choice.
Thanks for the info, I thought that was the case, but wanted to check. Oh and I agree these lights are not meant for professional use. But for quick fill use when needed, especially on a DSLR these small kind of lights would serve many well.
Taky, what do you mean consumer vs professional. If the light is more powerful and the same quality as the Litepanel model why wouldn't it be good for professional use ...Litepanels is certainly considered top professional light. Is it just the build quality you're referring to? Thanks
LitePanels manufactures top LED panels for professional use such as TV studios. However, LitePanel Micro output is weak, and the throw is narrow. It is not considered top professional light.
Well, just got the Pro160 yesterday and did some testing with it. Here are some of my impressions. (Keep in mind I also own the Comer1800).
I tested this on my Canon 550D DSLR, as this is what I was looking to get a lighter weight light than my Comer1800, which I generally use for off camera and on (video) camera lighting.
Build quality: ok, nothing to write home about. The body is completely plastic and the mount is sturdy, but would prefer metal. I might try to modify it to a stronger base. Filters are easy to apply and nice and robust. More on then later.
It's much bigger than I expected, but it's nice and lightweight, and thinner in dimension to the Comer1800. Even with the largest Sony LP battery it' s still much lighter and better balanced than my Comer 1800 is.
Light output: Wow I was surprised! It's bright, and the dimmer works clean and nice. For good spread you definitely need the diffuser filter on. Without it the light is too spotty. With the diffuser applied I was happy. I am not a fan of the 3200k filter, as it's not balanced well for the LED color temperature, as the light source turns greenish in tint. I would love to be able to get an extra diffusion filter that I could apply my own CTO gel to.
In a completely dark kitchen, throw from about 10 feet away was actually very good.
The light spread isn't as even as the Comer1800, as it's a little hot in the middle and light falloff at the edges are more so than the Comer1800. But more than acceptable.
The dimmer works smooth and accurate. There are no barn doors to control your light source, so light will spill everywhere. Not a huge deal breaker as I want a wide light spread for wide screen shooting anyway.
Power: This a major strong point of the unit. Using a universal battery compartment, it takes AA batteries (6) and virtually any camcorder battery source. Not a fan of having to remove the battery door cover each time for battery replacement, but I understand why it's there.
I had to fiddle a little with getting my Sony batteries in there, but once I found the best angle to insert them it was a non-issue. BTW, speaking of Sony batteries, the best overall size of Sony battery to use if most likely the NP770, as it doesn't add much weight and is easy to swap out batteries. While the smallest NP550 battery is lightweight, due to it's thin form factor, it is annoyingly difficult to insert it quickly into the battery compartment. The largest NP770 battery will run for a long time and is easy to get in an out for battery swapping, but you are adding extra weight to the light, as the NP970 battery is very hefty. So best Sony battery for this light, as well as the Comer1800 BTW is the NP770.
Conclusion: Well overall while not the best light out there, for the price you are paying, the Pro160 is a good lightweight solution for DSLR shooting. It has as strong light output for it light form factor, is dimmable, filters can be applied tot he light itself, is self powered (no cables), and can run for prolonged periods of time.
While I prefer my Comer1800 as a more professional light, that can be taken off camera (on light stand) and also on camera (still my light of choice for video camera), the Pro160 is a nice low cost option that I can use as a hair light or for my DSLR purposes.
And for the money I can say that the Pro160 is a steal.
Michael, thanks for the comprehensive review. It will be very useful to many other people looking for an affordable LED light.
Received this product here in the UK with thanks. The cost of a Litepanels Micro (not pro) here is approx $275, this one is $89.
Exactly the same spec - MUCH lower price - no brainer. Marvellous!
Thanks for your comment. One thing to point out, this light doesn't have the same spec as LitePanels Micro. IT IS BRIGHTER. :)
I understand that this light should not be compared to the LP-Mirco, but what about the LP-Micro Pro? The LP-Pro is much bigger and brighter than the Micro. So, how does the Pro160 hold up to the LP- Micro Pro? Obviously the price has it beat by a mile. Thanks!
You can compare these lights with LP Micro and LP MicroPro lux output.
Pro 160-LED is 900lux at 1 meter. LP MicroPro is about 800lux at 1 meter LP Micro is about 400lux at 1 meter
I'm trying to decide between the 126LED version and the 160 LED version. Are the external casing physically the same size? Just one has more LEDs then the other?
Thanks, David
They are exactly the same in physical dimension. If you can afford $30 more, go with the Pro 160-LED as it's a lot brighter. With the dimmer, you will never complain too much light. But if you need more light, 160 can deliver the extra brightness you need.
Great light source for the price... Which is exactly what I need at the moment. Will perfectly suit my purposes for hassle free lighting at dark wedding receptions. My only complaints... the armature seems wobbly and weak. I will be modifying that for sure by cannibalizing from the 12v halogen lamp I am replacing... Also, as stated above, the 3200k filter is greenish and the footage looks gruesome with it on. Gonna have to play with some CTO gels to see if I can get a more natural look. Otherwise, I have a happy...
Thanks for your comment about this light. If you have any DIY solution for the CTO filter/gel, please share with us. I would like to post it to our blog too. Thanks
Can the light be AC powered? Thanks!
Keith, the light CANNOT be powered with AC adapter. With the LED technology, it consumes very small amount of energy relatively. Thus Li-ion battery can power the light for hours.
I'm a fan of L.A. Color Shop, Taky and the Comer 1800 I purchased from him. However the Pro 160-LED Video Light was a bit of a disappointment. The base is very wobbly and the light flops around, I was afraid it would break off during a shoot. While the light was bright (though not as bright as the Comer 1800), when using the 3200K filter, a greenish hue was produced.
For $89, you get a fairly good light for hobbyists, but I'm leery of using it professionally. I think I'd get another Comer instead.
Seth, thank you for your continuous support. =)
Hi Taky - still love my Comer 1800 and turn people on to it all the time. Its fun to watch your business grow.
I'm wondering how the color accuracy is on these lights compared to say the Comer or an LP Micro Pro. Are the "green" complaints because there is something wrong with the 3200 gel - I can replace that , or because the LED's are green.
Also is the build quality any worse than the LP Micro Pro. the price is certainly killer.
Lenny Levy
Hi Lenny, thanks for your kind message.
This Pro 160-LED light is of great value. It put out a lot of light at a affordable price. However, the included orange filter doesn't do the job well. You can make one your own to replace it. If you do, please share with us how you get that done. There is also report the shoe arm is weak causing the light to tilt.
I own a LitePanel and love. I love it but it was an expensive investment at the time. I would love to see the 160-LED strive tho, 5 battery compatibility is amazing.
SO, as I read reviews and comments, I understand there is a problem with sturdyness and tilting. If I may suggest, has anyone tried to remove the arm and bolting the shoe mount straight on the light? Having only 1 hinge instead of 2 could help stability a lot.
Hope it works, let me know if it does.
Ced, we did a comparison shootout video including LightPanels Micro. Check this out
I have customer take the Pro 160-LED light to his local hardware store. They managed to remove the arm and installed a shoe adapter that works very well. You can consider that. But for the price, the Pro 160-LED is with great value.
1) While it is not listed as a compatible battery, can you tell me if the Panasonic CGA-DU21 will fit this unit? By visually comparing it to the listed CGR-D26S, the point of contact and locking mechanisms appears to be identical.
2) What would I need to mount this light onto a Westcott lighting stand, such as this: www.bhphotovideo.com/c/product/356270-REG/Westcott_9908.html? (Do you guys sell light stands?)
Thanks for your message. I checked CGA-DU21 specs. It doesn't show it's compatible to CGR-D26S.
We do not sell any light stand. However, you can order this item to mount the light to any light stand