Feature Article

"New Affordable Super Bright LED Light HDV-Z96"

Brought to you by your trusted US reseller, lacolorShop introduces the new HDV-Z96 800 lux LED light.

Posted on 8/11/2010Read More

Blog Archive
2010
Aug 26    Low Profile Battery for Your LED Light 
Aug 23    Canon T2i Overheat Test 
Aug 20    Pimping is Done... For Now 
Aug 18    Testing the IndiFocusMini and IndiSliderMini 
Aug 16    The Pimping Continues 
Aug 12    T2i + Sigma 18-250mm Lens + XH-A1 Lens Hood 
Aug 11    New Affordable Super Bright LED Light HDV-Z96 Feature Article
Aug 9    LA Color Splash Screen and DVD Design 
Aug 8    How to Edit DSLR Footage in Premiere Pro CS4 Feature Article
Aug 7    Some Canon T2i Footage 
Aug 5    New Second Generation Comer CM-LBPS1800 
Aug 2    Is Comer 1800 Light Too Big on Panasonic GH1 or Canon T2i? 
Jul 21    News Reporting with Comer 900 LED Light 
Jul 20    TDK BluRay Blank Media 
Jul 17    Recording Good Sound at Event Feature Article
Jul 10    Canon WD-H43 v.s. Raynox 6600 Wide Angle Lens 
Jun 22    L.A. Color Photo Booths Feature Article
Jun 20    Model Shots by Jose Aguilo 
Jun 15    Digital Capital Week Opening Party - How good is the Comer 1800 LED light? 
Jun 14    Taiyo Yuden/JVC Watershield Glossy DVD 
Jun 11    Wired LANC Remote 
Jun 11    Adding Copy Protection to My DVD Feature Article
Jun 9    Fully Decoded LP-E6 and BP-827 Canon Compatible Batteries Feature Article
May 30    Tilt-Shift Photography 
May 12    Go Green Expo - Los Angeles 2010 
May 3    We are on ResellerRatings.com 
Apr 28    NAB 2010 
Apr 27    "Affordable LED Lighting Options" by Digital Cinema Foundry 
Apr 25    Comer 900 LED Light Price Reduction 
Apr 24    Comer LED Video Light Review by Prague Workshop 
Apr 10    Awesome Still Photos from Jose Aguilo 
Apr 9    Lighting Interviews 
Apr 6    Leading Brand LED light and Comer 1800 Spec Comparision 
Apr 5    New Battery Products by L.A. Color Shop Feature Article
Apr 3    High Voltage Lighting Workshop 
Apr 2    Uncle Speech with Closed Captioning 
Mar 31    Woow Factor with the Comer CM-LBPS1800 Light Spotlight Mode 
Mar 29    We're on Yelp.com 
Mar 26    Feature Films by Dasher Films 
Mar 20    Comer 1800 Battery Compartment Contact Points Issue 
Mar 19    Event Lighting Using LED Uplights 
Mar 13    Wedding Photography by LA Color 
Mar 11    Fully Decoded BP-827 with Canon HF20 Photos 
Mar 9    Pro 160-LED Light Review 
Mar 9    » Comment from Garrett Low of GLow Media Productions 
Mar 7    Can You Find the Photographers?!?! 
Feb 28    New LED Light Products Announcement Feature Article
Feb 22    Central Florida Live 
Feb 13    Backup Adobe Premiere Pro CS4 Presets & Settings 
Feb 7    Comer Site Visit 
Jan 26    Honeymoon Slideshow with Closed Captioning  
Jan 25    Comer 1800 vs NRG Varalux 
Jan 24    Bitter Brother Translating Speech In Reception  
Jan 24    Lav Mic Failed in Action 
Jan 23    On-Camera Shotgun Mic Audio vs Digital Voice Recorder 
Jan 22    Off Camera Lighting with the Comer 1800 on Light Stand Feature Article
Jan 21    DSLR User Comments on Comer 1800 
Jan 19    L.A. Color was Named Top 5 Percent Bride's Choice Award 2010 
Jan 18    BluRay Case Insert Template for Download Feature Article
Jan 17    Commercial Photography Using Comer Light 
Jan 12    Interviewed a videographer using Comer CM-LBPS1800 at CES 
Jan 11    Photos from CES 2010 
Jan 9    'Don't Stop Me Now' Video 
Jan 7    Using Video Light in Still Photography 
Jan 5    Letters from our customers 
Jan 4    Concern of Using Video Light at Event  Feature Article
Jan 1    New Comer Full Product Line Product Literature 
 
2009
2008
2007
 

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Comment from Garrett Low of GLow Media Productions

Posted on 3/9/2010 1:18:00 AM

Garrett Low's first experience with the Comer 1800 light.

I really can't say enough on the versatility of the Comer 1800 light. It gave me enough punch but still looked natural to do an outdoor night scene on a rooftop deck in San Francisco. the lighting looked pretty natural for only having one light. It was really windy and really cold up there so we didn't want to pull power and set up a bunch of HMI's.

We also did a scene where the talent was walking down a dark street and had a PA hand holding the light up high walking backwards with them. I was able to dim it enough to get the scene to look believable.

The light worked out great.

Garrett Low
GLow Media Productions
Garrett@GLowMediaProductions.com
 

 

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