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Blog Archive
2010
Aug 26    Low Profile Battery for Your LED Light 
Aug 23    Canon T2i Overheat Test 
Aug 20    Pimping is Done... For Now 
Aug 18    Testing the IndiFocusMini and IndiSliderMini 
Aug 16    The Pimping Continues 
Aug 12    T2i + Sigma 18-250mm Lens + XH-A1 Lens Hood 
Aug 11    New Affordable Super Bright LED Light HDV-Z96 Feature Article
Aug 9    LA Color Splash Screen and DVD Design 
Aug 8    How to Edit DSLR Footage in Premiere Pro CS4 Feature Article
Aug 7    Some Canon T2i Footage 
Aug 5    New Second Generation Comer CM-LBPS1800 
Aug 2    Is Comer 1800 Light Too Big on Panasonic GH1 or Canon T2i? 
Jul 21    News Reporting with Comer 900 LED Light 
Jul 20    TDK BluRay Blank Media 
Jul 17    Recording Good Sound at Event Feature Article
Jul 10    Canon WD-H43 v.s. Raynox 6600 Wide Angle Lens 
Jun 22    L.A. Color Photo Booths Feature Article
Jun 20    Model Shots by Jose Aguilo 
Jun 15    Digital Capital Week Opening Party - How good is the Comer 1800 LED light? 
Jun 14    Taiyo Yuden/JVC Watershield Glossy DVD 
Jun 11    Wired LANC Remote 
Jun 11    Adding Copy Protection to My DVD Feature Article
Jun 9    Fully Decoded LP-E6 and BP-827 Canon Compatible Batteries Feature Article
May 30    Tilt-Shift Photography 
May 12    Go Green Expo - Los Angeles 2010 
May 3    We are on ResellerRatings.com 
Apr 28    NAB 2010 
Apr 27    "Affordable LED Lighting Options" by Digital Cinema Foundry 
Apr 25    Comer 900 LED Light Price Reduction 
Apr 24    Comer LED Video Light Review by Prague Workshop 
Apr 10    Awesome Still Photos from Jose Aguilo 
Apr 9    Lighting Interviews 
Apr 6    Leading Brand LED light and Comer 1800 Spec Comparision 
Apr 5    New Battery Products by L.A. Color Shop Feature Article
Apr 3    High Voltage Lighting Workshop 
Apr 2    Uncle Speech with Closed Captioning 
Mar 31    Woow Factor with the Comer CM-LBPS1800 Light Spotlight Mode 
Mar 29    We're on Yelp.com 
Mar 26    Feature Films by Dasher Films 
Mar 20    Comer 1800 Battery Compartment Contact Points Issue 
Mar 19    Event Lighting Using LED Uplights 
Mar 13    Wedding Photography by LA Color 
Mar 11    Fully Decoded BP-827 with Canon HF20 Photos 
Mar 9    Pro 160-LED Light Review 
Mar 9    Comment from Garrett Low of GLow Media Productions 
Mar 7    » Can You Find the Photographers?!?! 
Feb 28    New LED Light Products Announcement Feature Article
Feb 22    Central Florida Live 
Feb 13    Backup Adobe Premiere Pro CS4 Presets & Settings 
Feb 7    Comer Site Visit 
Jan 26    Honeymoon Slideshow with Closed Captioning  
Jan 25    Comer 1800 vs NRG Varalux 
Jan 24    Bitter Brother Translating Speech In Reception  
Jan 24    Lav Mic Failed in Action 
Jan 23    On-Camera Shotgun Mic Audio vs Digital Voice Recorder 
Jan 22    Off Camera Lighting with the Comer 1800 on Light Stand Feature Article
Jan 21    DSLR User Comments on Comer 1800 
Jan 19    L.A. Color was Named Top 5 Percent Bride's Choice Award 2010 
Jan 18    BluRay Case Insert Template for Download Feature Article
Jan 17    Commercial Photography Using Comer Light 
Jan 12    Interviewed a videographer using Comer CM-LBPS1800 at CES 
Jan 11    Photos from CES 2010 
Jan 9    'Don't Stop Me Now' Video 
Jan 7    Using Video Light in Still Photography 
Jan 5    Letters from our customers 
Jan 4    Concern of Using Video Light at Event  Feature Article
Jan 1    New Comer Full Product Line Product Literature 
 
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Can You Find the Photographers?!?!

Posted on 3/7/2010 5:07:00 PM

It's a challenging game to see if you can spot where the photographers are in the video.

All kidding aside, make sure you pick the photographers for your wedding that aren't "all over the place", or at least know how to use a zoom lens.



You can also view the clip in YouTube

http://www.youtube.com/watch?v=gnsAnPIX_E8
 

 

Comments

Posted by do vu on 3/18/2010 10:33:00 PM ehhehe oh well. Don't you see they wear glasses. So no down that they can't operate zoom function ..hehehehhe . It seems that they just start a new career.
Posted by Chad Dyle on 3/18/2010 10:41:00 PM Ninja like stealth!
Posted by Kin on 3/19/2010 12:44:00 AM all the weddings i've gone to, photographers have done this.

As a videographer, I hate it because they steal your shots.

As a client, I would love to see photographers capturing every moment possible.

Replied by LA Color Shop Thanks for your comment.

I'm sure the clients want the photographers to capture every moment. However, there's got to be a line between capturing important moments and blocking live audience view in a disrespectful way.

Just like our videographers do, they can use telephoto lens to zoom in so they don't have to be standing 4 feet in front of the clients the entire time. It refects their professionalism too.
Posted by Kin on 3/19/2010 12:55:00 AM I got one for you...

what happens when they are shooting with a 50mm?!?!

:D JK, I mean, when I filmed my weddings, I felt bad for getting in too close for shots, so I kept my distance.

But then I missed out on all the good shots. A zoom would work, but it just wouldn't match a close up lens. I wonder what StillMotion does

Replied by LA Color Shop I would still say the same thing. You have to judge a balance between getting good shots and not being everywhere blocking everybody's view. Imagine our two videographers also stood that close, live audience will only see 4 asses =)
Posted by VideJo on 3/19/2010 4:18:00 AM Now, Taky, guess who came to a wedding first . . .
And also note, that a photographer (more than a videgrapher) tends to grasp a picture more on the feel.
And yes, I make journeys and while on the way, I alway feel lonely, being the only videgrapher among a thousand flashers.
Enjoy!
Posted by CDawgg on 3/19/2010 6:51:00 AM I have rarely (but occasionally) gotten in front of a photographer at a key moment. In the times that I have been in front of their shot, it was always because they changed their position behind me somewhere after I set up my shot. Even in those situations, though, I have always told the photographer in advance that I'm willing to work with them to make sure we both get our shots.

Still occasionally, I get something similar to your video - but not NEARLY that bad!

By opening a dialogue early early early, I have made it so that I can walk up to them at any point in the day and say "how's it going? Getting some good shots?" but more importantly "hey buddy, you just jumped up and stood right in front of my camera during the first dance." I also make a stern face, seems to help. :)

Most people hate any kind of confrontation, so if you open (and maintain) dialogue with the photographer(s) early at the event, you will be able to tell them when they're SCREWING IT UP and know that they will probably feel compelled to may more attention to you, lest you should bring it to their attention again.

Replied by LA Color Shop We have done what we could do. We talked to the photographers in the morning. You can see there isn't much of that problem during the day. However, when you are dealing with unprofessional people having an intention or ignoring you, nothing much you can do.
Posted by Shaun on 3/19/2010 12:46:00 PM Wow, that was really bad! The little I've done shooting weddings even I've had a few blocked shots, but not anymore. Turns out they learn quickly with the right accessory attached to your camera.



I love Taser! ;)

Replied by LA Color Shop Haha.. that is awesome! I shall hear them say "DON'T TASE ME BRO!"
Posted by Jim G on 3/19/2010 3:45:00 PM he's like the freaking energizer bunny.
Posted by Darryl Bradford Jr. on 3/19/2010 7:05:00 PM wow this was pretty bad...i swear i thought it was a joke when i first saw it lol
Posted by nancy Fleming on 3/20/2010 8:49:00 AM this is super! I love the way you chose "The Elephant walk" by Mancini as the music. Those elephants are walking all over your video!
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